Listen..

It is no measure of health to be well adjusted to a profoundly sick society.

Tuesday, January 17, 2012

Istanbul

                Istanbul

Ikindi. It’s the afternoon call to prayer.  The time is 17:07 and the afternoon shadow races along the cobblestone street in battle with the diminishing sunlight. The slow overhead circling of seagulls seems to synchronize into a silent dance as the Imam starts to sing.  "Allahhhhhhhhhh." There is a pause. "Allahhhhhhh." The Imam draws out the name of God in one long deep breath that penetrates the air. Another Imam calls from his tower. "Allahhhhhhhhhh."  "Allahhhhhhhh." Each chant calls forth an internal silence from the people. The words sit heavy in the air.  The once busy street slows to a stop, frozen like an ancient mosquito trying to escape some prehistoric amber. I can hear my heartbeat in the silence between prayer. The streets are empty; people have disappeared moments before, involved in a dance of their own. Inside the mosques and in street corners on unfolded prayer rugs they move back and forth in a seeming trance from their knees to their foreheads, barefoot, engulfed in an unwavering devotion to God. As an alien I am stunned by the beauty of the moment. Time stands still. I feel myself upright, I know I am there, but I’m also caught in history, transported through time. Past and present have merged into one. I stand in the plaza of Aya Sophia, the Blue Mosque, its rounded tips and dark blue circular corners casting tall shadows, towering over the cracked stone streets under my feet, the air full of the smell of fried black sea anchovies and fresh clams, lemon, and the squalls of the salty Bosporus. I hold reverence in my own small way, not touching the cold hard stone of the visitor’s benches and not moving advantageously through the empty street of stalls and vendors to beat the crowd to my next destination.The pale blue of the sky holds vault over the ancient city and as the people and birds move together I absorb what magic it is to be in Istanbul. 

Enter Decator Street.

Jennifer S.Tem
Enter Decatur Street, downtown, ancient New Orleans. Time has not changed the area much. See the cracked street before you, torn and worn with 300 years of wear. It’s late. Dawn is still a few hours away. But the street is not quiet. In a corner a man sleeps, his face curled in his arm, turned away so you cannot see. His dog, a shepherd, watches you with soft eyes as you pass. You make eye contact with him and he seems more human to you than anyone you have met tonight. There is sorrow in his eyes that disturbs you behind the numbness you feel. You’ve been drinking for hours, and the street is a mellow haze. Strangers pass you, their footsteps hard against the ground. Stumbling along, “there” but not, you almost pass it up. A dingy yellow sign hides it in plain sight. Before you knew it existed, you walked pass it many times. Someone had to bring you there to make you aware. There is no door, only dirty plastic strips that hang down in your face. You push them out of the way and make your way inside. It is always the same. Behind the bar is the most beautiful boy you have ever seen. His golden hair and light eyes smile into yours as you enter. “Hey!” he calls out, welcoming you into the indoor night. Now take a seat at the bar. It’s long and you sit next to a man in a black shirt and beard. He turns to you with interest. “Come down in time” he reads off your back. You nod. You are still waiting to meet the person who knows that phrase and with it, you. It won’t be him.  
You turn around in your seat to make sure everything is the same. The Beatles poster hangs upside down and once again you wish it were in the back so you could put it in your purse and take it home. You love it, and you don’t love most things. In your bag you still have the book you found that a leprechaun-man gave you that night your best friend turned 21. The whole series once graced the shelves of the bar but over time you and your friends, and random strangers, have picked their favorite pieces. You chose The Thrall of Hypno. Number 20. Running your fingers over the remaining books makes you feel lonely. Number 11 is leaning next to Number 56, its cover bending away from 56 as if it knows it’s not in the right place. You want to move it but there is no other place for you---it---to go.
Making your way toward the jukebox changes your mood. Turning the page of the cds brings your friends closer to you. Elton John. Push. Queen. Push. Mika. Push. Three 1.75 dollar Paps Blue Ribbons later you hear Grace Kelly and feel at home.  Once upon a time you would write here, with your best friend, both of you with laptops open on the tall tables next to the red leather sofa, writing about the people around you, most of them wearing black and beards and boots. Giggling at each other over one too many beers. But that was a time before you betrayed her for a boy you didn’t even love. Now you are here alone with the bearded men and the dark bathrooms that don’t lock. If you really hit bottom there is coke available there if you let a fat man kiss your breasts. But you aren’t there tonight.  Tonight you are on a dark wooden stool with a cheap beer and a man behind a bar that lets you believe, for a small price, that you could be his. He’s selling the dream in sleeveless shirts and you are buying it from him in tips larger than you can afford. It’s a balance that only works if you let yourself lie at a timeless bar with a jukebox you can control. This is what’s for sale; control.

Control. This makes you remember the night you watched a boy rejected by girl after girl through quiet dark eyes. Then, when it was over, you took his hand and led him to the jukebox where you paid for him to play whatever he liked. He chose every Michael Jackson song available. And together you danced and discovered his talents, while the same girls looked on, jealous, wondering how you could be so free.  You weren’t about to tell them the simple answer; that all it takes is a heart that says yes instead of no. For a while he had the control you bought with your money and love. For a while he was invincible.
But back in this hour the sun shines through the plastic, barely penetrating the darkness inside. Inside it is eternally 3 am. By now you’ve sworn your love over sticky bar counters to whatever bearded person was “kind” enough to buy your drinks. By now you’ve danced to every song you spent your last dollars on while jocks and freaks alike have moved stools out your way and twirled you around their fingers. “I want to see you kiss” they say. You laugh and turn away. Not tonight. Tonight is for counting the fake spiders hanging from the ceiling and tonight is for the shadowed benches in the back to stay empty of entwined bodies with no names. Tonight you know your name.

Friday, January 13, 2012

List of complaints.

1. Pervs. Have a new job, and omg is it full of pervs.
2. Appreciation. I do everything..yet no appreciation.
3. Manners. Is it so hard to eat with your mouth closed? To pick up grocery bags for women? To not leave the table early?
4. Exercise. Tired. Exercise fixes tired. But too tired to exercise. Who came up with this shit physiology?

Sunday, December 18, 2011

RAWR



Is it weird that I thought about sex with one of these things?

Tuesday, November 29, 2011

time

ticking along. counting milliseconds..can you see them? I can. I feel them in a porous orange peel, in the first citrus smell under my fingernail..how long it takes to make a cut through to the pulp, the heart. how long it takes to forget what you knew..milliseconds. can you feel a millisecond? Does it seem to last hours, days, years, this hope that takes less than a second to root itself into your skin, like some parasitic vine, grasping your limbs as it climbs, taking your heart, suffocating your lungs, killing your breath, till it explodes its life out your mouth in short gasps of vivid blooming desperation?

milliseconds. that's all it took for me to know you. a millennium will pass before one millisecond ends.

Saturday, October 8, 2011

It's been quite a while.

What do you say when there is so much to say?

Really I'm just about contemplating how dream like life is. Was it the Hindus or Buddhists that said that life is another dream state? It feels like that, doesn't it? I feel like all the little things are just buzzing bees around my head, I can tune them in or tune them out. What's real is my writing. What's real is whether or not I have a house to live in. What's real is John. And even these things are in a dream state most of the time. John becomes upset about something small, I tell him all that matters is that we are here with each other, at this time in place. It's true yes? Yesterday is a memory and the future hasn't happened.

Still my favorite thing is to think about the future. If you aren't satisfied with who you are in the present, the future dreaming is the favorite pasttime of you. And that's me.  I think I'm too hard on myself, but as I wrote that sentence there my world became small and magnified--as if I caught some truth.

Why am I not happy with myself in the present? What can I do to change that?
Right now, I should be eating an orange, not smoking.
I should be listening to my favorite music
I should be opening windows to the world.
I should be writing.


I just realized I've close myself from myself. But why am I so scared to be who I am?

I'm letting myself die.

Sunday, August 21, 2011

Rereading The Stranger by Camus

I have a friend who lives and dies on Camus and also Satre. I'm rereading The Stranger. I have read other things by Albert but I was never impressed with this one book, while she's adamant about the overall strength of it. I must say even this second time around I am not impressed. I'm not moved. I'm not hurt, or loved by it. I'm nothing; it's nothing. I do not get the appeal of something that does nothing to move you.